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  • seandodson 5:54 pm on May 7, 2009 Permalink | Reply
    Tags: animation, , cartoon, coraline, , , Friz Freleng, Henry Selick, , jon klassen, , Neil Gaiman, warner bros   

    Jon Klassen: the Burst of Beaden 

    burstMy new favourite illustrator is Jon Klassen, an LA-based Canadian who has recently worked on Coraline, the new stop-motion (ie not digital) animation based on a novella by Neil Gaiman. Klassen worked on the film’s visual development and did some drawings for the sets and props. You can see more of his work on his website, the Burst of Beaden.

    Lots of influences in his work, 50s animation and surrealism, for sure, and something of Friz Freleng, the Warner Bros animator who created the animated version of the Pink Panther (thank you Anna). Interestingly, Klasson lists his influences as Pieter Breughel (the elder), the musicians Harry Nilsson and Burl Ives, as well as the great Stanley Kubrick. The picture you can see (above) is actually inspired by Cormac McCarthy’s dystopian novel, The Road.

    You can buy prints of his work right here.

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    • Kosmetika 8:53 pm on January 17, 2011 Permalink | Reply

      Its like you read my mind! You appear to know so much about this, like you wrote the book in it or something. I think that you can do with some pics to drive the message home a little bit, but instead of that, this is excellent blog. A fantastic read. I will definitely be back.

    • Dqhpplqy 1:28 pm on July 4, 2011 Permalink | Reply

      giant octopus photos,

  • seandodson 9:42 am on June 13, 2008 Permalink | Reply
    Tags: animation, bold creative, , , , , israel, lebanon, , , , , Waltz with Bashir, , will kim   

    Waltz with Bashir: Cartoon documentary about Lebanese war is no caper 

    Waltz with Bashir is an animated documentary (trailer is here) telling the story of Israeli soldiers fighting the Lebanese War of 1982. Screened in competition at Cannes this year, it is being touted as the first feature-length animated documentary. The Times (of London) has called it “a voyage of discovery into Folman’s uncharted subconscious,” as it deals with the suppressed memories of those fighting in the war.

    Software is so lowering the cost of animation that the barriers to making it continue to fall. Using animation in documentary also allows you to portray things, like memories, that you can’t with ordinary footage, it also offers the opportunity to stage things the camera missed first time around. Will Kim’s In Search of the Colors (above right), for example, uses various hand-drawn and painterly animation to tell a story drawn from his own experiences at a home for people with developmental disabilities. While the work of east London’s Bold Creative uses animation to tell stories straight the mouths of British teenagers. They told me that this approach – recording the kids’ voices but animating their faces later – allows the kids to open up much more, not least because they know they are not on camera. We have seen some extraordinary comic books dealing with complex adult issues in recent years. It looks like their animated relatives are following suit.

     
    • Andrew C. Sailer 4:13 am on February 8, 2010 Permalink | Reply

      Heyy, Found your blog on Google and I will definatley be recommending and coming back to the site! =)

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