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  • seandodson 11:35 pm on February 9, 2011 Permalink | Reply
    Tags: barry lyndon, best british films of all time, , film, , , time out, william thackeray   

    I’ve been enjoying Time Out’s 100 Best British Films of All Time. My favourite, Barry Lyndon, makes a respectable number 19.

    “Barry Lyndon” is a story which does not depend upon surprise,’ Kubrick told Michel Ciment in one of his rare interviews, nailing the film’s re-found appeal. ‘What is important is not what is going to happen, but how it will happen. I think Thackeray trades off the advantage of surprise to gain a greater sense of inevitability and a better integration of what might otherwise seem melodramatic or contrived.’

    Likewise, as time goes by, Kubrick’s own contrivances – the technical obsessions, the outwardly puppet-like performances, Ryan O’Neal’s seemingly endless wanderings, adventures and increasingly futile ambitions – have themselves fallen away to reveal something quite extraordinary: the shape of a life, a human’s rise and fall, rendered as an epic, mesmeric, suffusing slow dance of immersive cinema – and therefore, not only Kubrick’s most beautiful but also his most empathetic and understanding work

  • seandodson 5:54 pm on May 7, 2009 Permalink | Reply
    Tags: , , cartoon, coraline, , film, Friz Freleng, Henry Selick, , jon klassen, , Neil Gaiman, warner bros   

    Jon Klassen: the Burst of Beaden 

    burstMy new favourite illustrator is Jon Klassen, an LA-based Canadian who has recently worked on Coraline, the new stop-motion (ie not digital) animation based on a novella by Neil Gaiman. Klassen worked on the film’s visual development and did some drawings for the sets and props. You can see more of his work on his website, the Burst of Beaden.

    Lots of influences in his work, 50s animation and surrealism, for sure, and something of Friz Freleng, the Warner Bros animator who created the animated version of the Pink Panther (thank you Anna). Interestingly, Klasson lists his influences as Pieter Breughel (the elder), the musicians Harry Nilsson and Burl Ives, as well as the great Stanley Kubrick. The picture you can see (above) is actually inspired by Cormac McCarthy’s dystopian novel, The Road.

    You can buy prints of his work right here.

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    • Kosmetika 8:53 pm on January 17, 2011 Permalink | Reply

      Its like you read my mind! You appear to know so much about this, like you wrote the book in it or something. I think that you can do with some pics to drive the message home a little bit, but instead of that, this is excellent blog. A fantastic read. I will definitely be back.

    • Dqhpplqy 1:28 pm on July 4, 2011 Permalink | Reply

      giant octopus photos,

  • seandodson 12:17 am on April 10, 2009 Permalink | Reply
    Tags: adaptations, Alan Ginsberg, beat generation, , beat writing, Ben Whishaw, , film, , kill your darlings, , ,   

    Kill Your Darlings: biopic to revisit the birth of the beat generation 

    1980177272_168a288a721I’m intrigued to learn that the life of Lucien Carr is to be made into a film. Carr was the man who introduced writers Jack Kerouac, William Burroughs and Allen Ginsberg (to be played by British actor Ben Whishaw).

    Kill Your Darlings revisits an infamous night in 1944 when Carr stabbed his friend David Kammerer to death. He was later convicted of the manslaughter. Kerouac spent a night in the clink for helping Carr dispose of the knife.

    It’s difficult to gauge how good it will be; films about the Beat Movement have been so uniformly dire, which is strange because you’d have thought that the movement would be made on the silver screen. All that great music; those wide open roads; the scenes of bohemian hedonism have somehow never been successfully translated to the cinema.

    + Incidentally there is a decent-looking Kerouac documentary is doing the festivals circuit.

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  • seandodson 12:30 pm on January 30, 2009 Permalink | Reply
    Tags: , , , , cloud atlas the movie, , , ealing comedy, film, , , , Tom Tykwer, v for vendetta,   

    Cloud Atlas: David Mitchell novel to be adapted by Hollywood 

    cloud_atlas1First Showing is reporting that David Mitchell’s masterful Cloud Atlas will be adapted for the big screen. The film of the book (that should have won the 2004 Booker Prize) will be produced by the Wachowski Brothers and directed by Tom Tykwer, who previously directed  Run Lola Run.

    My first thought is that Cloud Atlas is pretty un-film-able. The book is a literary jigsaw puzzle: something both entertaining and difficult at the same time. It takes a long time to ponder, without ever being too heavy. So much of that will surely be lost in translation.

    What will remain, I think, will be highly entertaining,. Like Danny Boyle’s re-making of Trainspotting, it will romp along nicely enough; hopping through different adventures and riffing along different genres. Think of Timothy Cavendish’s misadventures, for instance,  and how they would make for a tight little Ealing-style comedy.

    But it will be a fluffier Cloud Atlas on offer. Of course it will. The Brothers Wachowski can only carry it up to a point. Their V for Vendetta simplified much of Alan Moore’s political message after all and it made for a frustrating adaptation, despite excellent performances from Geoffery Rush and Natalie Portman (the latter an evens-bet for Luisa Rey in Cloud Atlas). The brothers also famously failed to give the Matrix Trilogy much sense in the end. Could they do better with Cloud Altas with just two hours to play with?  I wonder.

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    • ggw_bach 1:34 pm on January 30, 2009 Permalink | Reply

      book adaptations always make the best movies. Strong characters, well threaded plots. Gives the groundwork for the visual and acting experience.

    • PJ Alesci 2:49 pm on February 22, 2009 Permalink | Reply

      It screams to be a five or six-part cable mini-series

    • Jamie 4:44 pm on February 24, 2009 Permalink | Reply

      Possibly my favourite book of the last few years. Difficult to see how they could produce a “faithful” adaptation within the one film without excising key elements. Suppose they could really push the boat out and film a trilogy, but seems unlikely in current climate.

    • scrapper 7:28 pm on March 3, 2009 Permalink | Reply

      Seems that what is happening with “Life of Pi” being in development hell could easily happen with this book. I personally hope they do not adapt this into a watered down Hollywood spitshined oscar flagpole like “Benjamin Button.” By the way Geoffrey Rush wasn’t in “V for Vendetta”

  • seandodson 12:47 pm on January 27, 2009 Permalink | Reply
    Tags: brothers grimm, , , Don Quixote, film, Heath Ledger, Johnny Depp, mony python, , Pat Ruskin, terry gilliam, The Imaginarium of Doctor Parnassus, , watchmen the movie, zack snyder, Zero Theorem   

    Is the curse of Terry Gilliam about to be lifted? 

    Terry Gilliam 2

    Originally uploaded by Shavart

    Watchmen the Movie is going on general release next month.  However much I am looking forward to the Zack Snyder version, I still wish that it had been made by Terry Gilliam. The great maverick director failed to make the movie – twice. Indeed Terry Gilliam (right) has had more than his fair share of film failures. He has released just one movie, the Brothers Grimm, in a little over a decade.

    But wait. Hope is at hand. There are signs that the former-Python’s career is about to take a positive turn. Here’s why:

    1) June see the release of The Imaginarium of Doctor Parnassus – which was delayed two years because of the death its original actor:  Heath Ledger.

    2) The word on the web is that Terry Gilliam’s movie after that will be an adaptation of Pat Ruskin’s The Zero Theorem – and that it promises to be his strangest since Brazil. Billy Bob Thornton is to star. Shooting starts in May.

    3) Beyond that, Gilliam has said that he finally reboot The Man Who Killed Don Quixote, with Johnny Depp and, possibly, Michael Palin in the title roles.

    Is it time to suggest that the curse of Terry Gilliammight finally have be exorcised or am I tempting fate?

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  • seandodson 12:18 pm on July 31, 2008 Permalink | Reply
    Tags: , computer games, film, , , neuromancer, new rave, , sf, , tr2n, trailer, tron, tron 2,   

    TR2N (Tron 2) might be doomed to failure, but we still want the test footage 

    Disney’s Tron is like the Dorian Gray of science fiction: it just never seems to get any older. It’s beautiful, neon-lit vector graphics have left a long legacy on contemporary design (Motorola’s RAZR / the architecture of Liverpool Steet’s Broadgate / even the fashion for Nu-Rave). It also imagined what virtual reality might look like, a full two years before William Gibson’s Neuromancer

    Next year sees the release of Tron 2, with Jeff Bridges reprising his lead role. Last week test footage of the sequel was screened at Comic Con in San Diego and leaked onto the web by someone in the audience. It’s amazing how, even though the footage is both blurred and unsteady (its apparently taken on a mobile phone) I feel compelled to watch it.

    As William Wiles has pointed out in Icon Magazine, the sequel’s failure is probably inevitable. As hew says, “no remake could match the enormous and lasting importance and influence of the original.

    “Tron was a technological milestone and a cultural breakthrough that cannot be replicated.”

    • Rob 6:38 pm on January 16, 2009 Permalink | Reply

      I can’t see how the sequel could surpass the original, but I’m sure it will still be entertaining (assuming they don’t ramp up the content to a PG-13 rating.)

    • 94qozo 8:44 am on May 17, 2009 Permalink | Reply

      Hello, Very nice site. Universe help us, dont worry man.

    • MM 11:54 pm on June 20, 2009 Permalink | Reply

      I think that even if the film doesn’t end up with the same fate as countless other bad sequels, The music (scored by Daft Punk) should make it almost as (if not better than) Wendy Carlos’s great score of the original…
      I’m exited for the full length trailer, rumored to come out at either ComicCon ’09 or Disney’s new D23 expo…..

    • ennY 10:23 am on June 23, 2009 Permalink | Reply

      Fail? No way! TR2N will rule!

  • seandodson 11:45 pm on June 25, 2008 Permalink | Reply
    Tags: , , , , eric tan, film, , , indiana jones, marvel, , , , stan lee, ufa, x-men   

    Meet Eric Tan, new movie poster boy captures the classicism of the past 

    A bit of visual candy: Disney designer Eric Tan makes posters for new films in the old style. Taking inspiration from the work of the artists of the German UFA studios of the 1920s, Tan’s posters are used within Hollywood (The X-Men poster was produced for Stan Lee’s birthday), but have yet to be given a full theatrical release.

    • Collin Blockett 4:41 pm on February 15, 2010 Permalink | Reply

      I have forgotten who it was but I first found out about your site from a link posted on Twitter. . Love the content I have seen so far and will certainly revisit to read more in a while. By the way, are you on Twitter?

    • RipAppors 5:00 am on July 8, 2010 Permalink | Reply

      I the first time here.
      You saw,new Pic


    • Kvepalai vyrams 8:52 pm on January 17, 2011 Permalink | Reply

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  • seandodson 9:42 am on June 13, 2008 Permalink | Reply
    Tags: , bold creative, , , , film, israel, lebanon, , , , , Waltz with Bashir, , will kim   

    Waltz with Bashir: Cartoon documentary about Lebanese war is no caper 

    Waltz with Bashir is an animated documentary (trailer is here) telling the story of Israeli soldiers fighting the Lebanese War of 1982. Screened in competition at Cannes this year, it is being touted as the first feature-length animated documentary. The Times (of London) has called it “a voyage of discovery into Folman’s uncharted subconscious,” as it deals with the suppressed memories of those fighting in the war.

    Software is so lowering the cost of animation that the barriers to making it continue to fall. Using animation in documentary also allows you to portray things, like memories, that you can’t with ordinary footage, it also offers the opportunity to stage things the camera missed first time around. Will Kim’s In Search of the Colors (above right), for example, uses various hand-drawn and painterly animation to tell a story drawn from his own experiences at a home for people with developmental disabilities. While the work of east London’s Bold Creative uses animation to tell stories straight the mouths of British teenagers. They told me that this approach – recording the kids’ voices but animating their faces later – allows the kids to open up much more, not least because they know they are not on camera. We have seen some extraordinary comic books dealing with complex adult issues in recent years. It looks like their animated relatives are following suit.

    • Andrew C. Sailer 4:13 am on February 8, 2010 Permalink | Reply

      Heyy, Found your blog on Google and I will definatley be recommending and coming back to the site! =)

  • seandodson 1:43 am on May 20, 2008 Permalink | Reply
    Tags: bob stanley, chapel market, , , etienne, film, Geoffrey fletcher, geoffrey snowcroft fletcher, , , james mason, , , nostalgia, , the london that nobody knows, Walter Sickert   

    Discovering the London that nobody knows 

    Thanks once again to the wondrous Things Magazine for pointing me towards The London that Nobody Knows, a wonderful documentary from 1967 narrated by James Mason (a fellow lad of Huddersfield). The film is a favourite of Bob Stanley of St Etienne, who describes the film as “No horseguards, no palaces, but Islington’s Chapel Market, pie shops, and Spitalfields tenements … Carnaby chicks and chaps, the 1967 we have been led to remember, [is] shockingly juxtaposed with feral meths drinkers, filthy shoeless kids, squalid Victoriana. Camden Town still resembles the world of Walter Sickert. There is romance and adventure, but mostly there is malnourishment.”

    Although I wouldn’t agree with him that “London looks like a shithole,” even the fluttering washing above a tenament in the East End looks beautiful when arranged above a courtyard of excited children playing in the midday sun. The London that Nobody Knows is based on a book by Geoffrey Snowcroft Fletcher of, funnily enough, The Daily Telegraph. Stanley calls Fletcher “the great forgotten London writer” and the book was first published in 1962.

    • paulmcdonald 1:39 pm on May 24, 2008 Permalink | Reply

      I love that film, I only became aware of it recently but it totally blew me away…just a shame it is’nt longer as theres so few films showing the ‘real’ London of that time.

  • seandodson 8:43 pm on May 13, 2008 Permalink | Reply
    Tags: , , , deepak nayar, film, filmaka, , Nuru Rimington-Mkali, peckham, philip k dick, , short film,   

    Why a science fiction short threatens to take online film out into theatres 

    My recent post on the Guardian Film Blog tells the story of Nuru Rimington-Mkali (above left), a young 21-year-old filmmaker from Peckham in South London. His film And I Refuse to Forget has just won the grand prize in the inaugural Filmaka Competition which is co-founded by Deepak Nayar (the producer of Bend it Like Beckham). The prize will fund Rimington-Mkali’s first full-length film to the tune of $5 and will be produced by Nayar

    The young filmmaker, who used to be a technician at Southwark City Learning Centre and be an usher in his local cinema, won the approval of a judging panel containing the likes of Werner Herzog, Wim Wenders, John Madden, Colin Firth and Paul Schrader. Neil LaBute, one of America’s most excellent storytellers, said the film was a “wonderfully impressive paranoid thriller told with great economy and vivid imagery.” Indeed it is. And I Refuse to Forget is a short burst of science fiction, reminiscent of Willam Gibson and Philip K Dick. It’s also, despite its three minutes, a tender love story. Which is probably why it won.

  • seandodson 3:37 pm on April 25, 2008 Permalink | Reply
    Tags: activism, ambient TV, Cambridge, , , film, mongrel, , , , , video sniffing   

    The secret art of video sniffing 

    Video Sniffing might sound like a punk fanzine for a generation weaned on YouTube and in a way, that is exactly what it is. The Guardian’s Film and Music section today published my report on the practice of tuning into the wireless frequencies used by CCTV cameras in order to use the images for short films. The article also talks to Manu Luksch of Ambient TV about her film Faceless, which was made by using your legal right to claim CCTV footage of your own image.

    • akarsh 7:10 pm on May 4, 2011 Permalink | Reply

      can u tell me how can we capture the video from the cctv and direct me since i want to make a short movie too
      thank u

    • seandodson 7:27 pm on May 4, 2011 Permalink | Reply

      You need a cheap wireless video receiver and a portable screen

  • seandodson 12:20 pm on March 7, 2008 Permalink | Reply
    Tags: canary wharf, , , Felini, film, gated community, , , Ronald Regan, , web2.0,   

    JG Ballard: The Oracle of Shepperton 

    JG Ballard

    Originally uploaded by jadc01

    He has been credited with foreseeing the Regan administration, the arrival of gated communities, the architecture of Canary Wharf and widespread ecological disaster, but has the most prescient science fiction writer of the last three decades, also anticipated something else? Did JG Ballard also anticipate YouTube?

    As far back as 1984, the Oracle of Shepperton was quoted in an interview as saying, “I’d like to organize a Festival of Home Movies! It could be wonderful — thousands of the things… You might find an odd genius, a Fellini or Godard of the home movie, living in some suburb. I’m sure it’s coming…” Indeed it was. In 1984 Ballard’s obsession with home movies might have seemed a little perverse and yet today watching them on YouTube is as routine as switching on the telly.

    Ballard foresaw his festival as, “using modern electronics, home movie cameras and the like” and now a group of his devotees have instigated The 1st Ballardian Festival of home movies, a kind of belated realisation of the legendary author’s vision using nothing more than a video-enabled mobile phone. You can watch the entire collection at Ballardotube (“the net’s only dedicated Ballard channel”).Ballard has always revelled in the mundane underside of contemporary culture, once remarking that the Los Angeles Yellow Pages was “richer in human incident than all the novels of Balzac”.

    The festival organisers admit that they have yet to find the Fellini of the very small screen, but its early days for the nascent festival. “Next year, who knows?”, reads a statement on the festival website. “Perhaps we’ll get entrants to simulate the filmed ratissages in Super-Cannes, or Bobby Crawford’s home porno movies in Cocaine Nights.”

    *Please feel free to comment on a subsequent version of this article, over at the Guardian Arts Blog

    • seandodson 12:24 pm on March 7, 2008 Permalink | Reply

      Ballard might be the most precient author of th 21st century, but not everything he foresees is yet to make as much impact as YouTube, which shows at least 100m videos a day. His excellent collection of stories Vermillion Sands features singing plants, mood-sensitive houses and automated poetry machines, all of which seem less plausible. Although with his record, would you rule anything out?.

  • seandodson 2:09 pm on February 24, 2008 Permalink | Reply
    Tags: Akira, , , , film, , hollywood, , ,   

    Live action Akira to be relocated outside post-Apocalyptic Tokyo 

    Akira piece

    Originally uploaded by Fake51

    Variety is reporting that Warner Bros is reported to be developing two live action adaptations of Akira, a masterpiece of manga written and drawn by the legendary Katsuhiro Otomo. The remake will be produced by Leonardo DiCaprio and set outside Japan, instead being set in a New Manhattan, a city rebuilt by Japanese money after being destroyed 31 years ago. Typical Hollywood, re-setting Akira outside Japan is like relocating Quadrophenia outside Brighton. In my opinion it  just doesn’t make sense. 

    Even so, the live-action Akira will be set outside Japan, former ad-director Ruairi Robinson should ensure the film has a strong visual style and the budget will sufficiently blockbuster.

  • seandodson 12:01 pm on January 5, 2008 Permalink | Reply
    Tags: , , , film, , , , ,   

    Not watching the watchmen 

    This trailer to this summer’s eagerly awaited film adaptation of Alan Moore’s Watchman has yet to arrive (although the one above gives us a glimpse of what it might look like). I have been looking forward this film ever since I read the excellent graphic novel in the late eighties. The various shots of the set so far released show that the film’s director Zack Snyder has done well to mimic visual style of the Dave Gibbons, the book’s illustrator, but elsewhere all is not well in the world of the Watchmen.

    Alan Moore, the novel’s creator, is not happy and has said that he wants nothing to do with the film. Moreover, he recently told Wizard Entertainment that he got sent a contract from the film company a couple of months ago asking for his signature beneath words. “I, the undersigned, hereby give you permission to take my name off of the film and to send my money to Dave Gibbons.” So no filthy lucre, either.

    Rumour has it that Moore got his fingers burned with the Wachowsik brothers adaptation of V for Vendetta, which wore the clothes of his characters and and spoke the words of his plot, but watered down his anarchist politics (although nevertheless featured a sublime performance from Hugo Weaving as V). Still something of a buzz still lingers around the adaptation of watchmen. Some fans have already having a bit of fun with the cast, images of the set are leaking out of Hollywood on a weekly basis and the first official poster has been released. I’m still looking forward to the movie, but without Moore’s endorsement, my excitement is being tempered.

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